Over the decades, what was once considered a British phenomenon has flourished into a worldwide fascination.

The 2020s, in particular, have seenan explosion of new folk horror movies.

Saloumis a refreshing bit of folk horror that mostly plays as a fantasy adventure mixed witha crime thriller.

A man and a woman reach out to grab someone’s hand

Image via Lacmé

The shadowy Harvesters Guild that oversees the town may be a bigger threat than Sawtooth Jack.

However, the plans to transfer the spirit go awry and the family feels like cursed for their failure.

Another thing that makes the story frightening is the idea of inviting a spirit into one’s body.

A character wears a skull face mask in ‘Dark Harvest’

Image via MGM

The past and present collide in ways that can be fascinatingand terrifying.

However, the film’s eco-horror elements will resonate with viewers concerned about climate change.

The message seems to be that there are some forceswhether natural or supernaturalthat should be left alone.

Distorted version of Char (Hazel Doupe) and Angela (Carolyn Bracken) embrace each other

Image via Magnet Releasing

In the end, both approaches are shown to be misguided.

However, the place where Betriek grew up is unsettling rather than comforting.

Even worse, the women are all discovered to be Betrieks ancestors.

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Folk horror is often about the ways that cycles repeat themselves, especially the cycle of death and rebirth.

Folk horror is often about the ways that cycles repeat themselves, especially the cycle of death and rebirth.

But sacrifice can also be a powerful symbol of generational trauma.

The Medium

The older generations perpetuate harmful practices that the younger generations tryand often failto reject.

Betriek inMolochfinds herself caught up in this same terrifying cycle.

Veronica and Desi both experience nightmares that connect their personal traumas with the historical persecution of women.

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Harper’s encounters with the men become more and more disturbing until she finds herself fighting for her life.

The film culminates in one of the strangest, most unsettling sequences of all time.

Regardless of whether the film is successful at making its point, the ending is unforgettable.

Yahya Abdul-Mateen II in Candyman (2021)

Image via Universal

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Two people wear animal skull masks in ‘Wrong Turn’ (2021)

Image via Constantin Film

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Image via Neon

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Several white robed figured walk toward a house at night in ‘Moloch’

Image via XYZ Films

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Movie

Horror

You Won’t Be Alone