This extends to horror, which is also a thriving genre in the country.

They range from ghost stories to more realistic explorations of the dark side of human nature.

All showcase the creativity of the filmmakers who crafted them.

Kwak Do-won and Jo Han-chul standing with shocked looks on their faces in The Wailing.

Image via 20th Century Studios

Horror fans are sure to be pleased.

Three students take a stab at unravel the school’s dark secrets, confronting both supernatural and societal horrors.

This makes the scares feel deeply rooted in reality.

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Instead, much of the focus is on interpersonal dramas and a slice-of-life depiction of life in Korean schools.

The only real weakness is that some of the student characters could have been fleshed out more.

He’s clearly fascinated by humanity’s capacity for cruelty and malice.

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The fact that the story explores the movie business also seems to reflect his own frustrations with the industry.

This anthology horror film presents three chilling tales directed by Asian filmmakers.

As the film progresses,buried family secrets and psychological traumacome to light, culminating in a devastating twist.

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It’s far superior to the English language remakeThe UninvitedstarringEmily BrowningandElizabeth Banks.

The movie unfolds at a brisk and engaging pace, peppered with surprises and reversals.

The movie also juggles multiple successfully, pivoting between horror, drama, and dark comedy.

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Much of this is thanks to the top-notch acting.

LikeGeorge A. Romero’s classic zombie films, the movie also uses its ghoulish premise for some social commentary.

Indeed, the movie impressively manages to be frightening, emotional, and unexpectedly thought-provoking all at once.

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This is most on display during the final act, which defies audience expectations.

For all these reasons,Thirstwas well-reviewed on release and won that year’s Jury Prize at Cannes.

As tensions escalate, the family’s seemingly perfect facade crumbles, exposing greed, jealousy, and betrayal.

Two girls eating with chopsticks side by side in A Tale of Two Sisters

Image via Cineclick Asia Big Blue Film

It’s a terrific example of sparse elements and confined spaces being used to outsize effect.

As the line between justice and vengeance blurs, both men descend into a cycle of escalating violence.

The leads rise to the occasional with committed performances, bouncing off one another energetically.

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A Tale of Two Sisters follows two sisters who return home from a psychiatric hospital to face tensions with their stepmother and uncover the family’s haunting past. As mysterious events unfold, the sisters find themselves entwined in a chilling psychological mystery that blurs the lines between reality and perception.

It all culminates in a suitably epic final showdown.

A secret agent exacts revenge on a serial killer through a series of captures and releases.

1’The Wailing' (2016)

Directed by Na Hong-jin

Evil doesnt knockit moves in.

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Image via Next Entertainment World

From here, the story continues to escalate, involving exorcisms, angry mobs, demons, and zombies.

However, the narrative structure is more cryptic and ambiguous than one would expect from the typical genre film.

Smart, dramatic, and undeniably scary,The Wailingis a modern horror classic.

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While investigating the suspect, a policeman realizes that his daughter may have been a victim of the attack.

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Lee Byung-hun as Kim Soo-hyun in I Saw the Devil

Image Via Magnet Releasing

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A secret agent exacts revenge on a serial killer through a series of captures and releases.

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Chun Woo-hee wearing a white dress, crawling through the woods afraid in The Wailing

Image via 20th Century Studios

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The arrival of a mysterious stranger in a quiet village coincides with a wave of vicious murders, causing panic and distrust among the residents. While investigating the suspect, a policeman realizes that his daughter may have been a victim of the attack.

Movie

Horror