Many proto-noir films fall under the mystery, thriller, and crime genres.

They Made Me a Criminalis a thrilling criminal drama which also starsAnn Sheridan,Ward Bond, andBarbara Pepper.

Based on the 1933 novel written byS.S.

Humphrey Bogart in ‘The Petrified Forest’ (1937)

Image via Warner Bros.

Fritz Lang’sMis credited as one of the first official noir films as well asthe director’s magnum opus.

Lorre’s performance is simply jaw-dropping and a brilliant testament to the actor’s highly underrated range and talent.

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NEXT:The 15 Most Underrated Film Noir Movies From the 1950s, Ranked

Donald Calthrop and John Longden standing on opposite sides of table while Anny Ondra sits in front of the table in Blackmail (1929)

Image via Wardour Films

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After defending herself during a violent encounter, a London woman faces the threat of exposure from a blackmailer. Her detective boyfriend becomes entangled in the moral and legal dilemmas as they seek to outmaneuver the perpetrator, setting the stage for a tense showdown.

Edward G. Robinson sitting down looking up at Humphrey Bogart standing in front of him in Bullets or Ballots (1936)

Image via Warner Bros.

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Mary Astor, Jack La Rue and William Powell in ‘The Kennel Murder Case’ (1933)

Image via Warner Bros.

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Sylvia Sidney sitting next to Henry Fonda in a car resting her head on his shoulder while he is driving in You Only Live Once (1937)

Image via United Artists

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Leslie Howard leaning over a table, Bette Davis sitting next to him while Humphrey Bogart stands on the other side of her and Dick Foran sitting on the other side of the table in The Petrified Forest (1936)

Image via Warner Bros.

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George Raft standing next to James Cagney in ‘Each Dawn I Die’ (1939)

Image via Warner Bros.

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In Each Dawn I Die, an investigative reporter is framed for manslaughter by a corrupt district attorney seeking to suppress criticism and further his political aspirations. As the reporter faces life behind bars, he must navigate a desperate quest to prove his innocence and expose the true corruption.

Madeleine Carroll sitting next to Robert Donat in ‘The 39 Steps’ (1935)

Image via Gaumont-British Distributors

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Humphrey Bogart and Allen Jenkins in ‘Dead End’ (1937)

Image via United Artists

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In Dead End, gangster “Baby Face” Martin revisits his childhood neighborhood in New York, facing rejection from his mother and a changed former girlfriend. Meanwhile, his encounter with Dave, an aspiring architect, and the streetwise Dead End Kids unveils the harsh realities of life in the city’s East Side slums.

Peter Lorre looking back at his reflection in a window in ‘M’ (1931)

Image via Paramount Pictures

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