This was at like TIFF 2010 forNever Let Me Go.GARLAND:AYeah, thatas right.
So wead been doing that for a long time, concept art and trying to put that together.
I would say broadly speaking, the basics are all there.
But, that said, my approach to scripts is that theyare a blueprint.
Theyare not the thing, theyare a blueprint.
Actually, inDreddthereas more of that than any film Iave ever worked on.
So things like that were never up for grabs.
But this is the kind of movie that I actually would like to see a sequel to.
Because yeah, Iave thought about sequels a lot.
Iam a fan of the comic.
Thereas a lot of other stories I was really into telling.
Iam a fan of the comic book, Iad like to make more, Iave got more ideas.
But I have no sense of entitlement or expectation that will happen.
This is an R-rated film in the states; itas an 18 back home.
Weave got to make a lot of money before anyoneas going gives us a chance to do it again.
I mean- Sorry I should let you finish that question.Oh no, no.
By all means.GARLAND:AWe had a ninety-seven minute assembly cut, all right?
We could not delete any scenes.
So, I donat think there will be another cut of the movie.
And then if youare lucky you get a chance to go back and get it.
There were two extended scenes that were re-shot, that were not in the main body of the shoot.
That was a completely different new scene that didnat exist before.
We stretched that scene quite considerably, because it needed it.
Iam curious, do you thinkLoganas Runis ever going to get made, number one?
And more and more interesting, and you’re free to see that quite clearly.
Less interested in cinema in some respects, and just keeping their eye on their own goal.
And I was using it just as a way in.
Iam dead keen to work on games.
I keep knocking on the door; the door remains closed.
I donat really know what Iave got to a Iave got to be a better writer, I guess.
